The Foxy Film Fan

The following review of Host  is spoiler free! As the coronavirus pandemic stretches on, filmmakers have found themselves struggling to find innovative ways to continue on in their craft. While movies like Searching  (which is fantastic, by the way) and Unfriended  attempted to provide stories via webcam footage and glimpses of a laptop interface, Host  does it out of necessity rather than due to a stylistic choice. Director Rob Savage uses the pandemic as a realistic backdrop for a relatively simple movie. Due to the technological limitations from actors being restrained to working from their webcams and Host's  devotion to realism, the movie is very brief. It's only 57 minutes long - the length of a free group Zoom call. However, the short length of the movie doesn't hold it back. In fact, it makes Host  a fast and fun horror movie for a season where we can't expect many new films. There's no unnecessary exposition, nor are there lengthy scenes to show us...

Discussing The Lodge  without spoilers is incredibly difficult, but this review will be completely spoiler free. The basic premise of the horror movie is simple, but admittedly a little strange: two children are forced to spend the holidays with their father's girlfriend in the titular lodge during a terrible blizzard. All three of them are unhappy with an arrangement which sounds disastrous from the start, yet the girlfriend and father decide it's simply what they should do. So, we join Riley Keough in her babysitting adventure isolated in a cabin. My biggest critique is that the writers should have decided on stronger reasoning for Keough to wind up stuck with the two children in the middle of nowhere. Perhaps it could have been a situation more like  The Shining  and less along the lines of "your dad said this is a good idea, so it's clearly a good idea." Silly set-up aside, The Lodge  is decent. The film longs to discuss complex subjects like religious abuse, ...

The following review is spoiler-free! The new sci-fi horror film Possessor  is unlike anything I've ever seen. Borrowing elements from popular science fiction releases like Inception , Brandon Cronenberg's new movie twists the assassin/heist sci-fi plot into something revolting. Like a car crash, once you start watching you can't look away from every bit of gore and terror on screen.  IndieWire called Possessor  a "gory techno-thriller" and I couldn't agree more.  Possessor operates within strict rules and logic which establish an unwavering sense of realism. Its slow pacing and meticulous depiction of the daily grind of the average worker makes its universe feel lived in and real. The future Cronenberg shows us isn't sleek and chrome, its either pastel apartment complexes through a muddy gray lens or horrifically bright red. Despite its promotional imagery the horror of the movie is rarely visual. Instead Possessor  grabs hold of Stephen King's defini...

Spree  is a horror comedy with a simple premise: a driver for Spree (a fictional ride-share service similar to Uber or Lyft) is plagued with the desire for internet fame. He spends his free time streaming video games, making mediocre electronic music, and attempting to leech off of the fame of a friend. His entire life revolves around the unobtainable allure of going viral. One day he decides he's going to do whatever it takes to force the world to pay attention to him. Joe Keery from Stranger Things  is the driving force of the film. His greasy disheveled look and overeager neediness make for a fascinating watch from start to finish, and he's remarkably believable as a socially inept young man scrambling for the limelight. If anyone else was cast as Kurt the movie simply wouldn't be any good, because in the slower dull moments of the movie it's truly Keery's performance that kept me watching. Most of the fun in Spree  comes from the found footage style which it rew...

Ready Or Not  is your traditional wedding story. A woman marries a rich man, and she has to survive until daylight while her new in-laws hunt her down with guns and crossbows. You know, it's just like every other wedding you've been to. There's a lot to say about this movie and it's commentary made on the wealthy privileged elites of society, and there's also a lot to say about Samara Weaving's performance as the bride who just can't seem to catch a break. Class warfare is the most blatant theme throughout Ready Or Not , and it's sort of a play on those stories of the wealthy hunting humans for fun. The family's dysfunction leads to her new husband, Alex, having complicated feelings about the role he's forced to play. Like the wealthy who contemplate whether the role they play in society is truly beneficial or actually actively harms the poor, he sways back and forth from longing to protect his wife and feeling certain that he has a duty to...

This review contains spoilers for the movie Midsommar. Midsommar is a film which I have complicated feelings toward. In some aspects it's perfect. Visually, it's stunning, and the bright flower specked landscapes linger through the horror. I love the concept of a horror movie where daylight is not safer than the darkness, and I love the strange visual effects which make the plants and flowers breathe and pulse slowly. In other ways it feels restrained. The run-time was cut drastically, and it leaves certain aspects feeling underdeveloped (such as the "unclouded" who frantically scribble the community's holy texts). The film was intended to be a full half-hour longer, and I imagine losing that footage is the reason the movie feels rather incomplete. Don't get me wrong, Midsommar is good, but it doesn't feel fully realized. Our protagonist Dani is desperately clinging to a failing relationship after the loss of her family. Her uninterested boyfriend ...

Directed by Alexandre Aja and produced by the legendary Sam Raimi, Crawl  is the first movie to nearly give me a physical panic attack. Kaya Scodelario plays Haley, a swimmer who visits her estranged father (Barry Pepper) during a Category 5 hurricane to make sure he evacuates safely. Her rescue mission turns into the pair swimming, crawling, and climbing for their lives as they dodge the gaping maws of alligators which have made their way into the home's basement. Horror movies which spend the majority of their run-time in a single setting tend to grow old quickly, but Crawl chooses not to waste time (or scares). The CGI alligators have a real presence throughout the film, and with the movie's minimal soundtrack their every splash and snarl reverberates throughout the cavernous basement. I'm not claustrophobic, nor am I particularly scared of alligators (or at least I wasn't prior to seeing Crawl ), but Aja's sparing use of the camera flowing seamlessly unde...

Stephen King movie adaptations and I have had a tumultuous relationship at best. I like  many of them -  Misery  gave Kathy Bates the opportunity to demonstrate her incredible acting skills (but muddled the creeping terror of the book by introducing a friendly bumbling cop for us to keep up with), Thinner  was terrible, the 2019  Pet Sematary  remake was painful to sit through, It Chapter Two  tricked the audience into watching the same sequence of events over and over again, nobody watched (or liked) The Dark Tower , and Netflix's In the Tall Grass tried its best. Of course there are the classics like Stand By Me , The Green Mile , Shawshank Redemption , and 1408  (I'm kidding, I just have a soft spot for that one in particular). Then there's The Shining . I want to acknowledge something briefly, before I delve into praising this work of art. Stanley Kubrick abused Shelley Duvall horrifically to force her into a deteriorating mental state...

The Paranormal Activity  series has become infamous for its routine of constant jumpscares and its title has become somewhat synonymous with lazy popular horror which people will line up to see year after year on opening night. Admittedly, I am not a big fan of the series in terms of its convoluted storyline and difficulty with upholding simple historical accuracy in films and sequences which flash back to previous decades. However, bearing all of that in mind, I do firmly believe that Paranormal Activity (particularly the first film in the series) is extremely important to the horror genre as a whole, even with its glaring flaws and reliance on jumpscares, simply due to the fact that it made horror films something that were easily accessible and easy to create for those who initially believed they might not have the budget for it. Prior to Paranormal Activity  perhaps the most notable cheap horror movie was The Blair Witch Project  a film which might be unnerving ...

I, like so many others, was skeptical when I heard news of the new M. Night Shyamalan film. For years he’s been disappointing film goers of all kinds, and with the release of the likes of The Last Airbender it became questionable who his target audience even was anymore. It almost began to seem as though he had lost sight of who he was, as though he wasn’t even the same director responsible for classics like The Sixth Sense . The announcement of Split failed to excite me, and though the premise seemed fascinating I refused to get my hopes up, especially with a trailer that provided enough room for one to imagine the film hastily devolving into another laughably bad mess like The Visit did. Fortunately, that wasn’t the case. In fact, Split was so good that there were many instances in which I had to remind myself that I was in fact watching a film by the same man who made After Earth and The Happening . The premise to Split is simple and not unlike that of an episode of...

In a genre filled with quick cuts and constant jump scares, The Babadook offers the exact opposite. Focusing on a grieving widow who is struggling to raise her son alone after the loss of her husband, The Babadook  gives a more sincere and heartfelt look into the horror genre than most other films. In fact, one might even say that it offers love and empathy and is straining to comfort its viewers despite the horrific themes and occurrences which take place in its one hour and thirty-five minute runtime. Of course, that isn't to say that the film isn't absolutely terrifying in the instances that it needs to be, while viewers watch the son and mother duo screech and dodge attacks from the terrifying Babadook, a twitching eerie tophat wearing monster lifted from the pages of a horrific children's book which has decided to latch on to and torture this particular family. The film is decent, and I'll admit that the main reason I am so attached to it and adore it so muc...

Starry Eyes (2014) The subject of fame is one often tackled in cinema, partially due to the fact that filmmakers and screenwriters are encouraged to write about subjects which they feel they have a decent understanding of. This leads to a wide variety of films all tackling the subject of fame in some way, but rarely do they aim to do so in a horror setting. Typically, audiences are rooting for someone's quest for fame in a comedy, romance, or drama. In the case of Starry Eyes, audience members are left conflicted as our protagonist goes to increasingly dangerous and drastic lengths as the promise of stardom is dangled in front of her face, forever pushing her to go further and further beyond her moral limits in some vain effort at achieving her dreams. Its a premise we've seen time and time again, typically under the guise of romantic comedies or a heart wrenching drama. Unfortunately for our protagonist, she's not in a comedy where she'll meet up with her future ...

Horror is a genre I hold near and dear to my heart. It's a genre of filmmaking which I believe is extraordinarily deep and explores parts of the human psyche which other genres of art refuse to delve into. Fear is one of humanity's most primitive and instinctual responses, and horror aims to tap into that sensation. However, keeping that in mind I cannot simply neglect to even acknowledge the ugly aspects of horror which people tend to think of when the genre is mentioned; the Hostels, Saw Vs, and Human Centipedes of the genre. After all, there's no smoke without fire, and if the hideous "torture porn" subgenre of horror can't be described as a raging dumpster fire, then I'm not sure what can be. I would, however, like to briefly condemn the use of phrases such as "torture porn." While there are quite a few movies in the horror genre which spend a sickening amount of time focusing on gore and torture, to compare them to pornography demean...

People often lapse into claims that horror has been reduced to a bloody and disgusting genre which lacks the depth and beauty of classics like those which were made by Alfred Hitchcock. However, this is hardly the case, and I encourage those of you who feel this way about horror to simply will yourself to dig a little deeper into the genre and truly explore how poignant and beautiful horror can be. Bearing that in mind, here are five modern horror movies which should inspire you to understand that horror is still so much more than blood and guts. 5. The Others A beautiful mood-driven film in which Nicole Kidman lives in an enormous home with her two children, who are both ill and will be harmed if allowed into the sunlight. Slowly, the claustrophobia of being locked away in the darkness begins to weigh on her, though the film refrains from any sort of outlandish responses and instead continues to slowly unravel as we witness a loving mother gradually lose her sanity while still...